The seamless way to write and storyboard comics
Don't change how you write or draw, just clear out everything that slows you down.
Free, forever. No card required.
Go from scripts and sketches that don't know each other…
so you have the extra work of exporting, cropping, renaming, and remembering what matched what.
EXT. STATION PLATFORM, NIGHT
Wet tiles. The platform is empty. Yuki stands alone beneath the sign, hood up.
Yuki (small)...it's still broadcasting.
The sign above her goes dark.
…to 1 window that takes that workload off you
your scriptpanels + canvasNever redraw a panel for a line that doesn't fit
Drag a line straight onto the panel to letter it, and it stays tied to the script. So you catch a line overflowing its balloon while it is still one keystroke to fix. Trim it in the script or in the balloon, whichever you're in, and the other updates as you type.
EXT. STATION PLATFORM, NIGHT
Wet tiles. The platform is empty. Yuki stands alone beneath the sign, hood up.
Hold it quiet, no sfx here.
Yuki (small)...it's still broadcasting.The sign above her goes dark. Hold on it.
...it's still broadcasting.Follow an industry format, or don't
The editor works like the one you already use. The format is there if you want the structure, not because you have to use it. Write your script exactly how you always have.
p12, wide. platform empty, tiles wet. yuki alone under the sign, hood up.
keep it quiet. no sfx here, the silence is the point.
then insert on the radio dial. her hand is shaking a little, don't overdo it.
CU yuki. she says it small, almost to herself: it's still broadcasting.
last one, the sign above her goes dark. hold on it.
EXT. STATION PLATFORM, NIGHT
Wet tiles. The platform is empty. YUKI stands alone beneath the sign, hood up.
INSERT: the radio dial, turning slowly under her hand.
ON YUKI
YUKI (small)...it's still broadcasting.The sign above her goes dark.
Sketch pages here, finish them anywhere
Pressure-sensitive brushes and layers for thumbnails and sketches, with your dialogue on the canvas at real size whenever it's useful. Export as PSD with layers intact, and pick up right where you left off in Clip Studio, Photoshop, or Procreate.
Create comics together, live
No exporting, no waiting, no "check your email." Share a link, pick a permission, and watch each other's work update live.
Let the story wander. You can always come back
Every meaningful change is saved automatically, so you can name a version, branch a what-if, compare two drafts word for word, and restore any of them whenever you want. You can finally stop saving script_final_v7_FINAL.docx.
Stop second-guessing continuity
@mention any character, place, or event once, and a full dossier builds itself: every reference counted, every story beat dated and placed on a shared timeline.
The sign goes dark above @Kinokuni Station. She has been here before.
World-build as deep as the comic needs
A twelve-page dossier or a three-line note, both can hold references and sketches right where you write them, for any character, place, or event. And with your own folder structure, no new system to learn, no rewriting the material you already have.
Get the whole picture of your story's connections
With an interactive graph of your world, it has never been easier to remember that the sister of the uncle leading the secret organization is your protagonist's long lost cousin.
- Zeref dislikes Dona
- Angelina is from the Village
- Angelina respects Dona
- Dona defeats Javlo
- Dona visits the Bar
- Javlo visits the Bar
- Zeref is the leader of The Band
- Javlo is a member of The Band
- Dona defeats Random Guy 01
- Dona defeats Random Guy 02
- Dona defeats Random Guy 03
- Angelina was kidnapped by Random Guy 03
- Angelina fought Random Guy 02
- Random Guy 01 is a friend of Random Guy 02 and Random Guy 03